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"One of my strongest convictions, and one in the first canons of proper taste, is always that our houses, much like the fish’s shell as well as the bird’s nest, need to represent our individual taste and habits.
The move toward decoration as being a separate artistic profession, unrelated towards the manufacturers and retailers, received an impetus while using 1899 formation with the Institute of British Decorators; with John Dibblee Crace since it's president, it represented almost 200 decorators throughout the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which often 10 were women. Rhoda and Agnes Garrett were the primary women to practice professionally as interior designers in 1874. The importance of their work with design was regarded during the time as with a par with this of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic home design to a wide middle-class audience.[12]

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"One of my strongest convictions, and one with the first canons of excellent taste, is the fact our houses, such as fish’s shell plus the bird’s nest, must represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus with all the 1899 formation from the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the initial women to learn professionally as interior designers in 1874. The importance of their work with design was regarded right at that moment as over a par achievable of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their tips on artistic design to a wide middle-class audience.[12]

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